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419-421 Lansdowne Avenue
Important
Robert Findlay, architect
1895
These semi-detached houses reveal the identity
of their architect in their exuberant decor, with
sculpted-wood porches, detailed oriels,
wrought-iron railing, windows framed in
redstone, and black slate false mansard roof.
60 to 72 Chesterfield Avenue and
449 Claremont Avenue
Important
1902
Each house in the row has a bay window on the
ground floor and an ornate wood pediment. The
corner building is more elaborate, with a corner
tower and arched entryway capped with an oriel.
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649 Côte St. Antoine
Important
1875
This residence looks like it came straight out of a
catalogue of American villas, with its portico with
columns capped by a balcony, observation
turret, mansard roof and bay windows with
pleasing ornamental ironwork.
21to 39 Chesterfield Avenue
Important
1896
Each of these units is enlivened by different
capping, and each consists of two two-storey
dwellings. The facade is remarkable for the
varied texture of the stone.
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477 Prince Albert Avenue
Important
1891
A fine example of the Queen Anne style, with a
corner tower, polychromy of red and beige brick
and generous wood ornamentation.
14
Seventh Day Adventist Church
Important
571Victoria Avenue
Hutchison, Wood & Miller,
architects
1913
Originally built as the Stanley Presbyterian
Church, this massive neo-Byzantine building
distinguished by complex volumes and the use
of the semi-circular arch and blind arch shapes.
42 to 56 Chesterfield Avenue and
444-446 Prince Albert Avenue
Important
Robert Findlay, architect
1898
A variety of colours, textures and materials,
incorporating brick, stone, stucco, wood and
slate. The treatment of the gables, covered either
with clapboard or with half-timbered stucco, also
varies from one house to the next.
334 Côte St. Antoine
Important
circa 1880
A cornice with elaborate brackets runs along the
four-slope mansard of the main body of the
building. A pediment with tiny quarter-moon
windows crowns the neoclassic portico of the
entryway.